This 90-minute film tracks three high schools as they put on their shows - the rivalry intensified when two schools decide to do Les Miz - then sweat out the nominations and awards. Sleeper of the Week: Like a real-life Glee, and possibly the most charming and disarming documentary since BBC America's The Choir last summer, the OWN Documentary Club presents Most Valuable Players (9/8c), which puts the spotlight on the "Freddy Awards," a yearly competition for high school musical theater in the Lehigh Valley (Pa.) region.
#Logline contest tv
Here's Matt Roush's review from TV GUIDE: The above review is from this week's "Star Magazine." The International Documentary Association (IDA) called it: "The feel good documentary of the year. The film examines the disparity between sports and the arts in our schools and is a love letter to performing arts education - which was a big part of my high school years. In the vein of "Spellbound," the doc follows three teen theater troupes and their creative journeys to, what some consider, the Tony Awards for high school musicals. The film revolves around the "Freddy Awards," a live television event in eastern PA that celebrates high school musical theater. My documentary finally airs on OWN: Oprah Winfrey Network this coming Thursday September 8th at 9PM ET/PT. Because judging isĭone at home, away from contest administrators, bosses can turn a blind eye to There is little to no transparency in this process. The first five or ten pages of each script and tossing aside the screenplays How is that accomplished? By simply reading Into $13 an hour by reading the 30 scripts in half the amount of time. That $6.60 an hour can easily be transformed Script fee pay off is to reduce the amount of hours put into reading. But, in reality, the way to make that $10 a
These hard economic times, any salary is appreciated.
If he gets paid ten dollars a script, he’s
Judge will have invested 45 hours into reading those 30 scripts. Read a 120 page script, but I’ll speculate at a faster rate of speed.) A Nothing at all, it’s absurd to assume that a judge, assigned 30 scripts (as anĮxample), will read each script cover to cover. Since contest judges get paid very little or The judging in most screenwriting contests is disingenuous.
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